The Testaments is the rabidly anticipated sequel to The Handmaid’s Tale and I was eagerly counting off the days at the beginning of September until the launch date. Virtually everything about the book was shrouded in mystery. It would be set in Gilead, it would be 15 years after the close of the first book, and there would be three point of view characters. That was it. After over 30 years of wait time in between these works, some hype was felt, especially by me. I tried not to let it color my opinions, but it was extremely difficult.
One of the recurring stars of this dystopian drama is someone readers will be familiar with if they have read the previous installment or seen the tv show: the taser-wielding Aunt Lydia, the scourge of Gilead. Then there is Agnes. Agnes is a true child of Gilead who doesn’t remember any other way of life but she is fearful that she will be married off to the most powerful man that will have her. Last but certainly not least is Daisy. For this Canadian teenager her whole life and identity comes into question on what she believes is her 16th birthday.
While I enjoyed this book, I don’t think that it has quite the same acidic punch that The Handmaid’s Tale possesses and I think that is mainly due to splitting up the narrative focus between three characters. The absence of June’s incredibly strong voice leaves a considerable void for the reader, but ultimately this book is a well-written exploration of how life finds a way even under the darkest of regimes. Drawing inspiration from current politics, as always Atwood makes it very clear what her stance is and that alone makes this a delightful read. The Testaments also sprinkles in some additional details of the inner workings of Gilead and the true corruption and dysfunction that it takes to make the sausage. It’s not just birthmobiles and punishing handmaids; the aunts are the keepers of genealogies and they ensure that there are new aunts to go on pilgrimage outside of Gilead.
I’m honestly really hoping based upon what happened in this book, that there will be a sequel to this sequel coming down the pipeline. As Margaret Atwood herself puts it, “All good things come to she who waits.” – Katie