by Stephen King
Ah, Stephen King, my old friend. It’s been a long time since I read anything by the Meryl Streep of horror and I went into this book hopeful and thinking, “It’s going to be traumatic X-Men. I’m definitely going to like it.” To reiterate, it was a very enjoyable experience starting with the punchy cover art of a child in a boxcar, meant to simulate his own bedroom (this is relevant to the narrative and not just for looks).
The novel starts out with twelve year-old Luke Ellis minding his own business and kicking back to have pizza with his parents while he decides whether he wants to go to MIT and Emerson, prematurely, now that he has surpassed the educational capacity of his elite private school. Besides his intellect, what makes Luke special is that he can move objects with his mind. Nothing major, but he does make pizza pans shake and other unusual disturbances that could attract unwanted attention.
One night he is stolen away from his home by a team of expert kidnappers and taken to The Institute where there are other children with similar powers. Some have telekinesis and some have telepathy, but all of them are being experimented on. Luke and his friends are determined to escape and uncover the secrets of this strange and highly secretive facility. Along the way, Luke befriends a number of his fellow inmates and forms an unshakable bond that will last, no matter where they go after their time at The Institute has come to an end.
What really impressed me about King’s latest venture into a coming-of-age story is, that he managed to pull off a really fantastic ending and some truly heartbreaking and horrifying twists. Stephen King is not generally known for having very good conclusions (I’m looking at you, IT), but in this one, everything was wrapped up in a very sensible and satisfying fashion.
The only major criticism I have for this book is that Luke does not sound at all like a child. His dialogue comes across as something that was written by someone who has not encountered someone in their early adolescence in a long time. Since this title has been branded as having cross-market appeal and can be targeted toward young adult and adult audiences, that could be a stumbling point. That may not be a dealbreaker for most people, but I found that some of those choices took me out of what was happening in the narrative because of the way something was said. It felt inauthentic. For an actual teenager, this may cause them to laugh out loud and hit the shelves to find something else. – Katie